enssemble dior | House of Dior enssemble dior Christian Dior for Dior spring/summer 1955. The Metropolitan Museum of Art. New York City, United States. A model primarily remembered for having been in the wedding trousseau of Olivia de.
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0 · House of Dior
1 · Ensemble
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This handsome ensemble dates from the early years of the Dior menswear line. A well-made example of a day suit, the details of its construction, such as the exaggerated length of the .Ensemble. A model primarily remembered for having been in the wedding trousseau of Olivia de Havilland, this gray wool suit is the transfiguration of the man's suit as an expression of the .
Christian Dior for Dior spring/summer 1955. The Metropolitan Museum of Art. New York City, United States. A model primarily remembered for having been in the wedding trousseau of .
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This handsome ensemble dates from the early years of the Dior menswear line. A well-made example of a day suit, the details of its construction, such as the exaggerated length of the coat, the elongated peaked lapels and the flared pants, reflect the style of the moment.Ensemble. A model primarily remembered for having been in the wedding trousseau of Olivia de Havilland, this gray wool suit is the transfiguration of the man's suit as an expression of the feminine.Christian Dior for Dior spring/summer 1955. The Metropolitan Museum of Art. New York City, United States. A model primarily remembered for having been in the wedding trousseau of Olivia de.1. ‘Zemire’ evening ensemble Christian Dior (1905–57) Paris 1954–5 autumn/winter Dior often made cultural references when christening his designs. ‘Zemire’ was named after Zémire et Azor, an opera by Grétry first performed at the royal palace of Fontainebleau in 1771.
Raf Simons, as creative director at Dior, infused the house’s iconic designs with a modern aesthetic. The nipped-in waist and full hip of this ensemble echo the 1947 “New Look” silhouette.
House of Dior
Découvrez l'univers de Christian Dior (CD) en France : Toute la mode pour Femme et Homme : Sacs à main, prêt-à-porter, bijoux et montres, haute couture, Toute la beauté : parfums, maquillage, soins.Dior Essentials. Fidèle à l'histoire de Dior, cette collection définit une nouvelle garde-robe masculine, reflet de l’esprit de la Maison. En couturier visionnaire, Christian Dior a lui-même inscrit un ensemble de codes iconiques au cœur de ses créations, incarnant l’essence de sa maison de couture. Catégorie.
Title: Ensemble. Design House: House of Dior (French, founded 1946) Designer: Christian Dior (French, Granville 1905–1957 Montecatini) Date: 1957. Culture: French. Medium: wool. Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Svetlana K. Lloyd, 1965. Accession .The dramatic and austere sensibility of this gown results from Christian Dior's choice of a somber color, heavy weight textile and design of the piecing at the front of the bodice that resembles a rigid busk, an element of women's foundation garments from the 16th to the 19th centuries.
This evening ensemble is a luxurious silk satin gown (Fig. 1) designed by Dior for his Fall/Winter 1948 collection. This fabric is highly lustrous candlelit satin that causes the pleats and folds to shine. The base bodice is a fairly simple design – a strapless bodice that folds over straight across the top. It becomes more complex around the .
This handsome ensemble dates from the early years of the Dior menswear line. A well-made example of a day suit, the details of its construction, such as the exaggerated length of the coat, the elongated peaked lapels and the flared pants, reflect the style of the moment.Ensemble. A model primarily remembered for having been in the wedding trousseau of Olivia de Havilland, this gray wool suit is the transfiguration of the man's suit as an expression of the feminine.
Christian Dior for Dior spring/summer 1955. The Metropolitan Museum of Art. New York City, United States. A model primarily remembered for having been in the wedding trousseau of Olivia de.
1. ‘Zemire’ evening ensemble Christian Dior (1905–57) Paris 1954–5 autumn/winter Dior often made cultural references when christening his designs. ‘Zemire’ was named after Zémire et Azor, an opera by Grétry first performed at the royal palace of Fontainebleau in 1771.Raf Simons, as creative director at Dior, infused the house’s iconic designs with a modern aesthetic. The nipped-in waist and full hip of this ensemble echo the 1947 “New Look” silhouette.Découvrez l'univers de Christian Dior (CD) en France : Toute la mode pour Femme et Homme : Sacs à main, prêt-à-porter, bijoux et montres, haute couture, Toute la beauté : parfums, maquillage, soins.
Dior Essentials. Fidèle à l'histoire de Dior, cette collection définit une nouvelle garde-robe masculine, reflet de l’esprit de la Maison. En couturier visionnaire, Christian Dior a lui-même inscrit un ensemble de codes iconiques au cœur de ses créations, incarnant l’essence de sa maison de couture. Catégorie.Title: Ensemble. Design House: House of Dior (French, founded 1946) Designer: Christian Dior (French, Granville 1905–1957 Montecatini) Date: 1957. Culture: French. Medium: wool. Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Svetlana K. Lloyd, 1965. Accession .
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The dramatic and austere sensibility of this gown results from Christian Dior's choice of a somber color, heavy weight textile and design of the piecing at the front of the bodice that resembles a rigid busk, an element of women's foundation garments from the 16th to the 19th centuries.
Ensemble
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enssemble dior|House of Dior
